Prague Writers' Festival, J Haynes' blog,
2 June 2008
Monday: Another superb breakfast. Sit next to Michael McClure
and Amy. They are deeply involved with today's Guardian. Paul Auster
walks pass us and we exchange greetings.
Today I will seek help from PJ to get my Saturday's blog posted on the
Prague Writers' Festival wet site. But first I will attend Michael March's
Municipal Library conversation. It is entitled "Eyes to See Otherwise"
and it is with Jiri Grusa and Homero Aridjis. Walk there via The Big Ben
Bookshop. The conversation has started, but manage to catch most of it.
It's a tender and intimate affair. Back to the Hotel Josef. Michael asks
me to sign a few papers. Look up and see that Jim Rubenstein is standing
next to us. He and I had a silly falling out some years ago in Paris.
But I see no reason to continue it. We get in his car and drive to The
Municipal House for an ice cream and an iced coffee. And a long catch-up
conversation about his life, my life, our friends in common, Jack Henry
Moore and Jim Naughton, summer plans, his current lady friend etc etc
After a quick look around the concert hall and the Paris Hotel across
the street, Jim drops me back at the Josef Hotel.
Begin a conversation with Margaret Atwood and Graeme Gibson and then PJ
arrives. We go up to the wee computer room and are unable to find my Saturday
report. Fortunately I printed out one copy. PJ suggests we go to the Festival
office and he will scan the pages and I can make corrections and leave
it with him to put up on the Festival web site. We walk back to the Paris
Hotel and enter the metro at Republic Station. A short two stop ride and
we are at the festival offices. PJ scans my pages and I start to make
corrections. We finish about 16.45.
We walk
the short distance to the Theatre Minor for the Guardian conversation,
"1968: Czechoslovakia". This time I collect the head phones
and am able to listen to the panelists: Ludvik Vaculik, Ivan Klima, Arnost
Lustig, Antonin Liehm and Jiri Grusa with Jiri Pehe acting as the moderator.
While on one level I can follow the conversation, on another level I am
in the dark. I know so little about the panelists, their inter-personal
relations, what really happened in Prague when the Russian tanks rolled
in forty years ago. I have the feeling that this is an extremely important
blood-letting. The theatre is packed. In fact I have never seen it so
full. I manage to find a seat up front and next to a fellow named Miro
Prochazka. He is a theatre director and lives in Bratislava. We exchange
cards and talk about the session we have just witnessed.
Outside
for some fresh air. See Adrana Pitesa and give her my Ljubljana newsletter.
See also the Polish journalist from Gdansk, Sebastian Lupak. He and I
have a long talk. I tell him that Jan Kaczmarek, who won an Oscar for
his film-score for the film, Neverland, is an old friend of mine.
(I think that was its title.) Also Ryszard Kapuscinski, who tragically
died recently, is an old friend. I relate yet again the story of how I
came to deliver a letter from Solidarnoc in Warsaw in late October 1981
to Vaclaw Havel in Prague.
Soon it
is time for the evening session to start. Sebastian and I sit together.
It is an international evening which starts with Katerina Anghelaki-Rooke.
Gary Younge is the host, but he turns the position over briefly to Michael
March who interviews Katerina. And then she reads some of her poetry in
English. And one poem in Greek. Gary comes back to introduce Siri Hustvedt.
They have a short dialogue and then she reads from her new novel, The
Sorrows of an American. (The novel received a rave review in yesterday's
London Observer.) The evening ends with Margaret Atwood. It is
a superb climax. I will never forget her remark: "to be world famous
in Canada" to mean, as she points out, not to be famous at all. She
reads some short prose pieces then some of her poetry. What a talent.
Later I walk back to the Hotel Josef. A bunch of writers are sitting once
again in the lobby. I choose to do some e-mail and note-taking. Then it
is upstairs for an early night. It has been another superb day here in
Prague. The Prague Writers' Festival is a warm and intimate occasion when
and where a few writers, journalists, and the general public can meet
and bond. Thank you, Michael. Thank you, Vlasta.
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